The Art of Storytelling: The Birth of a Nation

Griffiths dash, The Birth of a Nation, set the bar for what a spirit storyline should be in cinema, for his time period and straight off as well. During an era of short, silent fritters, which often only envisioned a single circumstance or sh totallyow plot, the film seemed to be the model for any story portrayed as an epic of regularts that spanned over some(prenominal) years and covered some(prenominal) events. While at the same time he showed the tycoon of cinema as a propaganda tool and media for own(prenominal) worry and ideology. However, above all his elaborate storyline can even be seen as a prerequisite for modern films, including gird Lees Do The right on Thing. The most remarkable thing most Griffiths storyline is the summate of issues and span of time he covers in the picture. He starts with the first days of America in which he immediately displays his let views and recollection of slavery. His depiction is laced with propaganda that clothe the true persona and quality of life slaves really endured in the early south. He moves on to other events involving slavery, including the Civil War, in which he pits comrade against friend as he tries to discipline the idea that the emancipation Proclamation destroyed national human relationship among smocks.

ulterior Griffith shows the development and role of the Ku Klux Klan, which he depicts as honorable warriors of white interest. The entire storyline as a square acts as a powerful statement and tool of semipolitical propaganda that connects with his personal ideology. The elaborate story allows for the audienc e to be heart-to-heart to a multitude of ra! cist and discriminatory ideas that are shrouded by wrong interpretations. Spike Lee gives the audience a narrative snap on the ongoing struggle of blacks in America, while connecting many an(prenominal) different views... If you want to get a full essay, limit it on our website: BestEssayCheap.com

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